Ice Cream Review – The Garden of Tweetdom: An evening with Marcus Brown

May 7, 1824: Premiere night of Beethoven‘s Ninth Symphony.

According to one witness, “the public received the musical hero with the utmost respect and sympathy, listened to his wonderful, gigantic creations with the most absorbed attention and broke out in jubilant applause, often during sections, and repeatedly at the end of them.”

March 9, 2009: Premiere night of Marcus Brown’s Garden of Tweetdom. (Photo by Ben Terrett)

Need I say more..?

An unusual atmosphere of sheer anticipation could be felt yesterday around London Bridge, but on a Monday evening, this had nothing to do with the with the well-known bustle surrounding the famous Borough Market on Fridays and Saturdays.

No, this could only be described as an entirely different level of artistry for this evening was the first live and official Tweet Reading event to take place in London. Rumours abounded over the past few weeks amongst the eminent Twitterati of hushed discussions via Direct Messages concerning the veracity of the artist having turned down requests to speak from the Royal Academy of Arts. The choice of the Market Porter as a venue, an established and popular public house, can only be explained from the extreme proximity with the farmer’s market and the glorious food sold therein. Just as food is sustenance for the body, the Tweet Reader’s work and interpretation of tweets are sustenance for the mind; moreover the theme of the evening was to be of the origins of all things Twitter, just as the market is the best representation of the origins of food in the heart of a city.

The London Twitterati lucky enough to be invited gathered in the room around 7pm and Marcus Brown appeared soon after, opening the evening with his signature and unmistakable words: ‘Good evening’. Those two otherwise innocuous words, carried enough weight to silence the room instantly. A certain feeling of awe was immediately palpable within the audience, clearly the sign of being in the presence of a true master. After a few more words, Marcus announced that there would only be three Tweet Readings for the evening. A slight murmur of disappointment made its way through the room, though I admit I smiled at the intrinsic audacity of the number.

3. As you all well know, a magic number for as long as the number has existed. From the Holy Trinity in Christianity to the Triforce in the Legend of Zelda, three is the first uneven prime number, one of the major forces in the Universe. Using a number of such power, Marcus sets the tone and promises us an extraordinary evening at the very least. ‘But will he deliver?’ I thought.

With readings of William Humphrey, John Dodds, and ended with Sam Ismail (Whom according to anonymous sources has been instrumental in enticing the artist to a live performance) the evening certainly couldn’t go wrong with such prolific and extremely talented Tweet authors; and they certainly deserve the acknowledgment accompanying their readings by such an important international figure in the Twitterverse; some even call Marcus the very first Twitter Academic. The sceptics will certainly accuse Marcus of a certain lack of creativity in choosing the most obvious authors for the evening, but what truly counts is the value of the insight and of the interpretation and in this field, detractors will have a difficult time finding any flaws to Marcus’ readings.

But let us also remember that Marcus is first and foremost a Renaissance Man, a Polymath recognized by the worlds of arts and sciences as the Leonardo da Vinci of the Third Millenium. Marcus shared with us his previous works: iPod Singing, The Sacrum episode with Wieden and Kennedy, Charles Stabs’ Business Horoscopes, and more surprises. As I said, food for the mind, but also food for the soul. To describe the rest of the event would only destroy the surprise for other spectators and as such, I will stop revealing any more here.

There is only one way to finish this review and Marcus Brown fortunately showed me the way: Marcus Brown delivered an outstanding performance at the Market Porter yesterday and I urge you; no, I beg you, to follow his works on And As if by magic, or run to get tickets if you hear of another live event, it might just… transform your life. Thank you.